Otto Greiner

Vom Weib [From Woman],

1898-1900

cycle of 5 lithographs
 

Otto Greiner (Leipzig 1869-1916 Munich)


Widmung an Max Klinger

lithograph

1898

53 x 42 cm

monogrammed and numbered 20


Sheet I of the Max-Klinger-dedicated cycle "Vom Weib [From Woman]"


Julius Vogel, Otto Greiners Graphische Arbeiten in Lithographie, Stich und Radierung (Dresden: Ernst Arnold, 1917) (catalogue raisonne),70
Otto Greiner

Eva, Teufel und Suende

(Eve, Devil and Sin)

from the print cycle Vom Weib

lithograph

1898

inscribed and signed in pencil lower left: "Egtum. [Eigentum] Max Klinger" ["Property of Max Klinger"]


Sheet II of the Max-Klinger-dedicated cycle "Vom Weib [From Woman]"


Vogel 71



Provenance: 


ex coll. Max Klinger
Otto Greiner

Der Teufel zeigt das Weib dem Volke

(The Devil Presenting Woman to the World)

1898

lithograph

53,3 x 45,8 cm

in pencil monogrammed O.Gr. and inscribed Nr. 35


Sheet III from the print cycle Vom Weib [From Woman]


Vogel 72



Provenance:


ex coll. Walter Bareiss, New York



Publication history of this impression:


Per Faxneld, Satanic Feminism: Lucifer as the Liberator of Woman in Nineteenth-Century Culture (New York: Oxford University Press, 2017), pg. 272, fig. 7.3.
Otto Greiner

Der Mörser,
lithograph,
1900
34,8 x 29,7 cm
lower right in pencil signed inscribed, and dated: "O. Greiner Rom 25.1.1900"

Sheet IV of the Max-Klinger-dedicated cycle "Vom Weib [From Woman]"

Vogel 77
Otto Greiner

"Golgatha. Große Kreuzigung Christi" ["Golgatha. Great Crucifixion of Christ"]
lithograph,
1900
45,5 x 45 cm (image); 70 x 55 cm (sheet),
lower right in pencil signed: "O. Greiner"

Sheet V of the Max-Klinger-dedicated cycle "Vom Weib [From Woman]"

Vogel 78

condition: with traces of folds, stains and light streak in the wide margin; traces of old mounting verso and there thinning in the paper; minimally handling-creased and somewhat discolored

Contact:

The Daulton Collection

thedaultoncollection@outlook.com