Otto Greiner

Vom Weib [From Woman],

1898-1900

cycle of 5 lithographs
 

Otto Greiner (Leipzig 1869-1916 Munich)


Widmung an Max Klinger

lithograph

1898

53 x 42 cm

monogrammed and numbered 20


Sheet I of the Max-Klinger-dedicated cycle "Vom Weib [From Woman]"


Julius Vogel, Otto Greiners Graphische Arbeiten in Lithographie, Stich und Radierung (Dresden: Ernst Arnold, 1917) (catalogue raisonne),70
Otto Greiner

Eva, Teufel und Suende

(Eve, Devil and Sin)

from the print cycle Vom Weib

lithograph

1898

inscribed and signed in pencil lower left: "Egtum. [Eigentum] Max Klinger" ["Property of Max Klinger"]


Sheet II of the Max-Klinger-dedicated cycle "Vom Weib [From Woman]"


Vogel 71



Provenance: 


ex coll. Max Klinger
Otto Greiner

Der Teufel zeigt das Weib dem Volke

(The Devil Presenting Woman to the World)

lithograph

1898

in pencil monogrammed O.Gr. and inscribed Nr. 35


Sheet III from the print cycle Vom Weib [From Woman]


Vogel 72



Provenance:


ex coll. Walter Bareiss, New York



Publication history of this impression:


Per Faxneld, Satanic Feminism: Lucifer as the Liberator of Woman in Nineteenth-Century Culture (New York: Oxford University Press, 2017), pg. 272, fig. 7.3.
Otto Greiner

Der Mörser,
lithograph,
1900
34,8 x 29,7 cm
lower right in pencil signed inscribed, and dated: "O. Greiner Rom 25.1.1900"

Sheet IV of the Max-Klinger-dedicated cycle "Vom Weib [From Woman]"

Vogel 77
Otto Greiner

"Golgatha. Große Kreuzigung Christi" ["Golgatha. Great Crucifixion of Christ"]
lithograph,
1900
45,5 x 45 cm (image); 70 x 55 cm (sheet),
lower right in pencil signed: "O. Greiner"

Sheet V of the Max-Klinger-dedicated cycle "Vom Weib [From Woman]"

Vogel 78

condition: with traces of folds, stains and light streak in the wide margin; traces of old mounting verso and there thinning in the paper; minimally handling-creased and somewhat discolored

Contact:

Jack Daulton

The Daulton Collection

Los Altos Hills, California

info@symbolismus.com